Ada Monroe and Inman  (Cold Mountain)

Anne Shirley (Anne of Green Gables)

Babe (Babe)


Bathsheba Everdene (Far from the Madding Crowd)


Beatrice (Much Ado about Nothing)

Becky Sharp (Vanity Fair)

Cecily Cardew (Importance of Being Earnest)

Champion (Les Triplettes de Belleville)


Collin Fenwick (The Grass Harp)

Dorothea Brooke (Middlemarch)

Dorothy Gale (The Wizard of Oz)

Edward Scissorhands

Eleanor Roosevelt

Elizabeth (Frankenstein)

Ellen Foster (Ellen Foster)

Ellie Arroway (Contact)

Eppie (Silas Marner)

Estella (Great Expectations)

Esther Summerson (Bleak House)

Eustacia Vye (Return of the Native)


Flora Poste (Cold Comfort Farm)

Francis Marion Tarwater (The Violent Bear It Away)

Frodo Baggins (The Lord of the Rings)

Gou Wa “Doggie” (King of Masks)

Hadji (Johnny Quest)

Harriet Smith (Emma)

Harry Potter

Harvey Cheyne, Jr. (Captains Courageous)

Hawkeye (Last of the Mohicans)

Heathcliff (Wuthering Heights)


Helena (All’s Well That Ends Well)

Homer Wells (Cider House Rules)

Huckleberry Finn

Hyacinth Robinson (The Princess Casimassima)

Irwin (Northfork)

Isabelle Archer (The Portrait of a Lady)

Jack Dawson (Titanic)

Jack Redburn (Master Humphrey's Clock)

Jake and Elwood Blues (The Blues Brothers)

James Henry Trotter (James & the Giant Peach)

Jane Eyre

Jane Fairfax (Emma)

Jen and Kira (The Dark Crystal)

Jo (Bleak House)

Joe Christmas (Light in August)

Jude Fawley (Jude the Obscure)

Kim (Kim)

Leo Tolstoy

Lilo (Lilo and Stitch)

Lillian (The Chimes)

Lily Bart (The Age of Innocence)

Lily Owen (The Secret Life of Bees)

Little Foot (The Land Before Time)

Little Nell (The Old Curiosity Shop)

Little Orphan Annie

Lucinda Leplastrier (Oscar and Lucinda)

*Lucy Manette (Tale of Two Cities)

Luke Skywalker (Star Wars)

Margaret, Helen, and Tibby Schlegel (Howard's End)

Marilyn Monroe

Mary Lennox (The Secret Garden)

Mary McCarthy

Mathilde and Manech (A Very Long Engagement)

Mattie Silver (Ethan Frome)

Miette (City of Lost Children)

Millie Theale (The Wings of a Dove)

Miriam Chadwick (Oscar and Lucinda)

Mowgli (The Jungle Book)

Nameless (Hero)

*Neo (The Matrix)

Oliver Twist

Orphan Girl (Gillian Welch)

Oscar Hopkins (Oscar and Lucinda)

Our Johnny (Our Mutual Friend)

Pai (Whale Rider)

Patrick Dennis (Auntie Mame)

Peter Pan and the Lost Boys

Philip Carey (Of Human Bondage)

Pip (Great Expectations)


Posthumus (Cymbeline)

Princess Mononoke

Queen Elizabeth I

Rickie Elliot (The Longest Journey)

Rosa (Edwin Drood)

Salvatore “Toto” (Cinema Paradiso)

Sara Crewe (The Little Princess)

Seymour Krelborn (Little Shop of Horrors)

Smike (Nicholas Nickleby)

Solomon Perel (Europa Europa)

Sophie Neveu (The DaVinci Code)

Sophy Viner (The Reef)


Stuart Little
Sue Bridehead (Jude the Obscure)


Tanya Chernova (Enemy at the Gates)

Tertius Lydgate (Middlemarch)

Tom (Water Babies)

Tom Jones

Tom Sawyer


Trinity (The Matrix)

Will Ladislaw (Middlemarch)

Will Turner (Pirates of the Caribbean)

W. Somerset Maugham




* = new or recent addition



[no name] (The Man Without a Past)

Dory (Finding Nemo)

Eleanor Mannering (Garden of Lies)

Giambattista "Yambo" Bodini (The Mysterious Flame of Queen Loana)

Jason Bourne (The Bourne Identity)

Joel Barish and Clementine Kruczynski (Eternal Sunshine of the Spotless Mind)

Leonard Shelby (Memento)

*Manech (A Very Long Engagement)

Nick Petrov (Oblivion)

Peter Appleton (The Majestic)

Rita (Mulholland Drive)

Ryder (The Unconsoled)

Samson Greene (Man Walks into a Room)

Will Barrett (The Last Gentleman)


November  2,  2014

Patrick: Lagniappe

On bad days, sitting in a cinema can give me a curiously strong foretaste of dying, out of some fortuitous combination of the darkness, the felt presence of unseen strangers, the vast, unnaturally coloured, ever-changing images, the voices that are not quite like voices.

--The Green Man by Kingsley Amis

November  1,  2014

Patrick: Lagniappe

Sorry, Dad, it wasn't the time to say it, I know, but there's nothing good about being self-sufficient except over things that don't matter or when you've got to be because there just isn't anybody else around, but that isn't so in your case--it's bad that you don't depend on other people, especially the ones that depend on you.  I can see you're feeling rotten, but if anything really crappy happened and it could have been prevented by you telling someone like me, or Joyce, what was going on beforehand, then you'd only have yourself to blame, or rather I'd blame myself too for not going on at you about it.

--The Green Man by Kingsley Amis

October  31,  2014

Patrick: Lagniappe

A drama coach I once took lessons from told me a good actor should be able to act with the back of his head.

--Ancient Light by John Banville

October  30,  2014

Patrick: Lagniappe

I will say this for suffering, that it lends a solemn weight to things and casts them in a starker, more revealing, light than any they have known hitherto.  It expands the spirit, flays off a protective integument and leaves the inner self rawly exposed to the elements, the nerves all bared and singing like harp-strings in the wind.

--Ancient Light by John Banville

October  29,  2014

Patrick: Lagniappe

To talk to her is like dropping stones into a deep well; the response that comes back is long-delayed and muted.  She has the wariness of a person much put-upon and menaced--that husband again--and before speaking seems to turn over every word carefully and examine it from all sides, testing its potential to displease and provoke.

--Ancient Light by John Banville

October  28,  2014

Patrick: Lagniappe

And thus we went on, scratching and tearing at each other, so the tears would not cease nor our ardour grow cool, until we had exhausted ourselves, or got too old, and called an unwilling truce that nowadays is disturbed by no more than an occasional, brief and half-hearted exchange of small-arms fire.  So that, I suppose, is why I think I do not know her, heave ceased to know her.  Quarreling, for us, was intimacy.

--Ancient Light by John Banville

October  27,  2014

Patrick: Lagniappe

Around us the many noises of the hospital were joined together in a medleyed hum, and the air in the overheated room had the texture of warm damp cotton.  Through the window on the far side of the bed I could see the mountains, distant and faint, and, closer in, an extensive building site with cranes and mechanical diggers and many foreshortened workmen in helmets and yellow safety-jackets clambering about in the rubble.  It does not know how heartless it is, the workaday world.

--Ancient Light by John Banville

October  26,  2014

Patrick: Lagniappe

How--I ask it again--how did he not see what was going on between his mother and me?  How did they all not see?  Yet the answer is simple.  They saw what they expected to see and did not see what they did not expect.

--Ancient Light by John Banville

October  25,  2014

Patrick: Lagniappe

Mrs. Gray had left a kettle of water on the stove, grumbling to itself over a low flame.

--Ancient Light by John Banville

October  24,  2014

Patrick: Lagniappe

I have known many leading ladies but I had never been thus close up to a real film star before, and I had the odd impression of Dawn Devonport as a scaled-down replica of her public self, expertly fashioned and perfectly animate yet lacking some essential spark--duller, slightly dowdier, or just human, I suppose, just ordinarily human--and I did not know if I should feel disappointed, I mean disenchanted.

--Ancient Light by John Banville

October  23,  2014

Patrick: Lagniappe

Rhetorical in the extreme, dramatically elaborated, wholly unnatural, synthetic and clotted, it is a style such as might be forged--le mot juste!--by a minor court official at Byzantium, say, a former slave whose master had generously allowed him the freedom of his extensive and eclectic library, a freedom the poor fellow all too eagerly availed himself of.  Our author--the tone is catching--our author is widely but unsystematically read, and used the rich tidbits that he gathered from all those books to cover up for the lack of an education--little Latin, less Greek, ha ha--although the effect is quite the opposite, for in every gorgeous image and convoluted metaphor, every instance of cod learning and mock scholarship, he unmistakably show himself up for the avid autodidact he indubitably is.

--Ancient Light by John Banville

October  22,  2014

Patrick: Lagniappe

Families are strange institutions, and the inmates of them know many strange things, often without knowing that they know them.

--Ancient Light by John Banville

October  21,  2014

Patrick: Lagniappe

What may one know of another, even when it is one's own daughter?  A clever man whose name I have forgotten--my memory has become a sieve--put the poser: What is the length of a coastline?  It seems a simple enough challenge, readily met, by a professional surveyor, say, with his spyglass and tape measure.  But reflect a moment.  How finely calibrated must the tape measure be to deal with all those nooks and crannies?  And nooks have nooks, and crannies crannies, ad infinitum, or ad at least that indefinite boundary where matter, so called, shades off seamlessly into thin air.  Similarly, with the dimensions of a life it is a case of stopping at some certain level and saying this, this was she, though knowing of course that it was not.

--Ancient Light by John Banville

October  20,  2014

Patrick: Lagniappe

As I have said, we had not ever believed in the immortal soul, Lydia and I, and would smile i gentle condescension when others spoke of their hopes of some day seeing again departed loved ones, but there is nothing like the loss of an only child to soften the wax of sealed convictions.

--Ancient Light by John Banville

October  17,  2014

Patrick: Lagniappe

When I look back all is flux, without beginning and flowing towards no end, or none that I shall experience, except as a final full stop.  The items of flotsam that I choose to salvage from the general wreckage--and what is a life but a gradual shipwreck?--may take on an aspect of inevitability when i put them on display in their glass showcases, but they are random; representative, perhaps, perhaps compellingly so, but random nonetheless.

--Ancient Light by John Banville

October  14,  2014

Patrick: Lagniappe

What do I recall of her, here in these soft pale days at the lapsing of the year?  Images from the far past crowd in my head and half the time I cannot tell whether they are memories or inventions.  Not that there is much difference between the two, if indeed there is any difference at all.  Some say that without realising it we make it all up as we go along, embroidering and embellishing, and I am inclined to credit it, for Madam Memory is a great and subtle dissembler.

--Ancient Light by John Banville

October  13,  2014

Patrick: Lagniappe

"There is to be no form or parade--a sort of gipsy party.--We are to walk about your gardens, and gather the strawberries ourselves, and sit under trees ;--and whatever else you may like to provide, it is to be all out of doors--a table spread in the shade, you know.  Every thing as natural and simple as possible.  Is not that your idea?"

"Not quite.  My idea of the simple and the natural will be to have the table spread in the dining-room.  The nature and the simplicity of gentlemen and ladies, with their servants and furniture, I think is best observed by meals within doors.  When you are tired of eating strawberries in the garden, there shall be cold meat in the house."

--Emma by Jane Austen

October  12,  2014

Patrick: Lagniappe

"Mr. Churchill has pride; but his pride is nothing to his wife's : his is a quiet, indolent, gentleman-like sort of pride that would harm nobody, and only make himself a little helpless and tiresome ; but her pride is arrogance and insolence!  And what inclines one less to bear, she has no fair pretence of family or blood.  She was nobody when he married her, barely the daughter of a gentleman ; but ever since her being turned into a Churchill she has out-Churchill'd them all in high and mighty claims: but in herself, I assure you, she is an upstart."

--Emma by Jane Austen

October  11,  2014

Patrick: Lagniappe

"My dear, you are too particular," said her husband.  "What does all that signify?  You will see nothing of it by candle-light.  It will be as clean as Randalls by candle-light.  We never see any thing of it on our club-nights."

The ladies here probably exchanged looks which meant, "Men never know when things are dirty or not;" and the gentlemen perhaps thought each to himself, "Women will have their little nonsenses and needless cares."

--Emma by Jane Austen

October  10,  2014

Patrick: Lagniappe

A mind lively and at ease, can do with seeing nothing, and can see nothing that does not answer.

--Emma by Jane Austen

October  9,  2014

Patrick: Lagniappe

Thriftless gives, not from a beneficent pleasure in giving, but from a lazy delight in spending.  He would not deny himself one enjoyment ; not his opera-stall, not his horse, not his dinner, not even the pleasure of giving Lazarus the five pounds.  Thrifty, who is good, wise, just, and owes no man a penny, turns from a beggar, haggles with a hackney-coachman, or denies a poor relation, and I doubt which is the most selfish of the two.  Money has only a different value in the eyes of each.

--Vanity Fair by William Makepeace Thackeray

October  8,  2014

Patrick: Lagniappe

And for my part I believe that remorse is the least active of all a man's moral sense--the very easiest to be deadened when wakened : and in some never wakened at all.  We grieve at being found out, and at the idea of shame or punishment : but the mere sense of wrong makes very few people unhappy in Vanity Fair.

--Vanity Fair by William Makepeace Thackeray

October  7,  2014

Patrick: Lagniappe

"I could pay everybody, if I had but the money.  this is what the conjurors here pride themselves upon doing.  They look down with pity upon us miserable sinners who have none.  They think themselves generous if they give our children a five-pound note, and us contemptible if we are without one."  And who knows but Rebecca was right in her speculations--and that it was only a question of money and fortune which made the difference between her and an honest woman?  If you take temptations into account, who is to say that he is better than his neighbor?  A comfortable career of prosperity, if it does not make people honest, at least keeps them so.  An alderman coming from a turtle feast will not step out of his carriage to steal a leg of mutton ; but put him to starve, and see if he will not purloin a loaf.  Becky consoled herself by so balancing the chances and equalizing the distribution of good and evil in the world.

--Vanity Fair by William Makepeace Thackeray

October  6,  2014

Patrick: Lagniappe

As long as we have a man's body, we slay our Vanities upon it, surrounding it with humbug and ceremonies, laying it in state, and packing it up in gilt nails and velvet : and we finish our duty by placing over it a stone, all written over with lies.

--Vanity Fair by William Makepeace Thackeray

[N.B.:  Thackeray's viciousness as a writer is right up there with Shakespeare's.]

October  5,  2014

Patrick: Lagniappe

Our luck may fail : our powers forsake us : our place on the boards be taken by better and younger mimers--the chance of life roll away and leave us shattered and stranded.  Then men will walk across the road when they meet you--or, worse still, hold you out a couple of fingers and patronize you in a pitying way--then you will know, as soon as your back is turned, that your friend begins with a "Poor devil, what imprudences he has committed, what chances that chap has thrown away!"  Well, well--a carriage and three thousand a year is not the summit of the reward nor the end of God's judgment of men.  If quacks prosper as often as they go tot he wall--if zanies succeed and knaves arrive at fortune, and vice versa, sharing ill luck and prosperity for all the world like the ablest and most honest amongst us--I say, brother, the gifts and pleasures of Vanity Fair cannot be held of any great account, and that it is probable *  *  *  *  but we are wandering out of the domain of the story.

--Vanity Fair by William Makepeace Thackeray

[N.B.:  So what might those four ellipses mean?  "They burn in hell"?]

October  4,  2014

Patrick: Lagniappe

He was proud of his hatred as of everything else.  Always to be right, always to trample forward, and never to doubt ; are not these the great qualities with which dulness takes to lead in the world?

--Vanity Fair by William Makepeace Thackeray

October  3,  2014

Patrick: Lagniappe

Who has not seen how women bully women?  What tortures have men to endure, comparable to those daily repeated shafts of scorn and cruelty with which poor women are riddled by the tyrants of their sex?  Poor victims!

--Vanity Fair by William Makepeace Thackeray

October  2,  2014

Patrick: Lagniappe

"Well, my dear Blanche," said the mother, "I suppose, as Papa wants to go, we must go ' but we needn't know them in England, you know."  And so, determined to cut their new acquaintance in Bond street, these great folks went to eat his dinner at Brussels, and condescending to make him pay for their pleasure, showed their dignity by making his wife uncomfortable, and carefully excluding her from the conversation.  This is a species of dignity in which the high-bred British female reigns supreme.  To watch the behaviour of a fine lady to other and humbler women, is a very good sport for a philosophical frequenter of Vanity Fair.

--Vanity Fair by William Makepeace Thackeray

October  1,  2014

Patrick: Lagniappe

What is the secret mesmerism which friendship possesses, and under the operation of which a person ordinarily sluggish, or cold, or timid, becomes wise, active, and resolute, in another's behalf?  As Alexis, after a few passes from Dr. Elliotson, despises pain, reads with the back of his head, sees miles off, looks into next week, and performs other wonders, of which in his own private normal condition, he is quite incapable ; so you see, in the affairs of the world and under the magnetism of friendship, the modest man become bold, the shy confident, the lazy active, or the impetuous prudent and peaceful.

--Vanity Fair by William Makepeace Thackeray



  1. Escape from the Terror: The Journal of Madame de la Tour du Pin by Madame De La Tour Du Pin
  2. Les Misérables by Victor Hugo
  3. Paris in the Middle Ages by Simone Roux


  1. Kafka on the Shore by Haruki Murakami
  2. Masters of Atlantis by Charles Portis


Patrick: Kathryn:


  • Story by Robert McKee
  • Consilience by Edward O. Wilson



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